Awesome painting advices from Gerard Bryceland? When you are planning to draw a self-portrait, you must plan out your intentions before you start working. Can art be spontaneous? It can be, and you should embrace this. But when you are trying to create a finished piece of art, you should lay down a framework of what you intend to create, then start working toward that goal. For example, if you are planning to do a simple sketch, then there’s no reason you can’t draw on plain copy paper. But if you are planning on creating a finished self-portrait that you intend to frame, then you need to use a higher quality paper. If you are planning to add watercolor or acrylic or ink to your drawing, you need to use paper that can handle the moisture. If you plan to use oil paint, then you need to draw on paper that has been treated to be used with oil paint. The point here is that planning ahead of time to reach a goal should be your preferred method of working as an artist.
Drawing The Nose: From the inner corners of your eyes, draw two straight lines going down up to the third red guide line, it’s also the level of where the bottom of your ears are. These are the marking points for your nose. Begin drawing the nose while being careful to stay within those lines! The tip of the noise is usually rounded, so once you reach that point, draw a very light circle to serve as a shaping guide. Sketch two small oblongs with tips tapering (almost like teardrops but curved) towards the center very lightly under the tip of your nose on both sides. These will be the nostrils. Pay close attention to the size and shape of your nostrils, make sure that the holes you draw are not too big nor too small. Unless of course that is what you can clearly observe on your model or reference. When not done carefully, it could ruin the proportion of your portrait drawing.
Gerard Bryceland‘s tricks on portret painting: The eyes are the most important detail of a portrait and it is essential that you paint them first. They are the focal point of the face and the feature that brings the image to life. If, at the outset, you can suggest that spark of vitality which the eyes bring to a portrait, you will establish a strong foundation for the work, which in turn, will give you the confidence to tackle the other features of the face. There are a few key elements that you need to capture in painting an eye: the solidity of the eyeball and surrounding eyelids, the luminosity of the iris, the depth of the pupil, and the reflected highlight on the surface of the eye.
You could try freehand drawing your face. This is the most straightforward approach, but that doesn’t mean it is the easiest. With this approach, you look at yourself in the mirror, or look at a photo, then simply start sketching what you see. Pay attention to the major shapes you see and pay careful attention to how your features relate to one another. You also need to pay attention to the light source, so you can render your face with realistic highlights and shadows. When using this approach, start out your drawing with light, sketchy lines, then slowly darken your drawing as you render it, but only after the initial sketch is in place.
About Gerard Bryceland: I’m Gerard Bryceland an artist based in Maidstone Kent and regularly get commissioned to do work doing paintings and portraits of people and their families. I’ve always been an artist from my childhood, I loved drawing my friends and family initially just to mess around with my friends and had a lot of fun drawing them. But as i got older it really just became a business as my friends and their families would want me to do family portraits and that type of thing. With word of mouth word gets out and before you know it you know it I’m 35 and still doing the same thing.